![]() After you get done following along with this lesson, spend some time taking a few of your sounds that you’ve already made in FM8 and run them through some Guitar Rig racks that you set up yourself. In this case More=Less in a way, because having more options can mean less work if you know how to use them all to your greatest benefit. then runs straight to a second gain stage, with a Treble / Middle / Bass network configured between the plate ( anode ). And, of course, this makes it easier to make them cut through your mix in the end Often times, Less=More in the audio world. Plus, no herniated discs carrying it around. It has a ton of amp models and effects and it will keep your sound engineer happy with it's non-existent stage volume. One huge advantage of keeping your FM8 bass synths so simple at their core is that they can be much easier to work with once you do get to the processing phase. If your church has a good monitor system and you don't already own an amp and a bunch of pedals, this pedal is awesome. And this happens to be one of the tricks the pros use to transform their sounds. Working in the world of production audio teaches you how to see and use your tools very differently than normal music production workflows. I’ve never been a huge fan of the effects available in FM8, so most of my processing takes place in my DAW using programs like Guitar Rig to make my sounds come alive. Knowing that you can spend so little time in the synth itself and still end up with a very big and dynamic sound through adding effects in Guitar Rig kind of sets you free. This approach to processing your FM8 bass synths can forever change the way you approach your sound design sessions. This video does a good job of showing just some of the ways you can begin to use these two NI products to create your own unique arsenal of sounds! In fact, using Guitar Rig with your FM8 bass synths is a wonderful way to modulate, tweak and otherwise alter your instruments until they become something so new and innovative that people can’t help but wonder how you are pulling it all off. Guitar Rig is full of amazing tools for affecting all of your sounds, not just guitars. Nowadays you have so many options when it comes to effects and processing your sounds that it is easy to fall into routines and ignore new avenues. This lesson in using Guitar Rig with FM8 bass synths is a perfect example! If you use the entire collection of Native Instruments products there is literally no end to what you can make. ![]() Others will soon tell you it its too loud I play Music Man Stingray 5 string through an Eden Navigator hybrid pre into a Gallien Kruger 2 x 10” wedge amp which I think is 300w. I would start with the sound you are producing and ask is it a 4 or 5 string bass and what sort of sound? Smooth sustained or sharp slappy? At end of day remember to get your amp and speaker as close as possible so that you can keep the volume controlled. It’s a bit of a how long is a piece of string question. Hope this helps! Perhaps someone else will have some gear-specific recommendations? If your amp sounds great and doesn’t swamp the mix then the work is done. Tough one to answer from an Engineers’ perspective… Something that gets you the tone you desire, doesn’t break your back when you lift it and doesn’t over-power the FOH mix.Ī good sound engineer should be trying to reinforce the sound, rather than replace it. The two setups I’ve enjoyed using (just amp not PA) most are an Ashdown 300W 2×10 combo and an Eden head with a 2×10 and 1×15 stack – all the power you’ll need and a great sound to go with it. I’ve always d 10″ speakers for bass – I think they give you a really defined sound. I’d suggest anywhere between 100 and 300 Watts is likely to be about right but that’s a bit of a guess! You also want to consider speaker size and number. It also depends on the volume your band play at. It’s honestly hard to say without knowing the size of the building and the number of people you get in. Probably depends on whether you’re using a PA or just the amp. “On the subject of Bass playing in a worship band, What would the panel of experts recommend for the following question:- what size (watts) bass combo or bass rig would be sufficient for a small/medium size church? I am playing an Ampeg 50 watts combo at the moment (maybe an Ampeg portaflex in the future).” JCM800 Description: Low to medium gain classic rock tone, sounds a little less thick than the Plexis » Download Preset. Keith Dulley asked a question in our recent live Ask the Expert seminar: Guitar Rig 5 Preset - Plexi (Sample A) posted 5 years ago 18,151 PLEXI 69 Description: Low to medium gain classic rock tone, sounds a little more focused on the midrange than the Plexi preset » Download Preset. Ask the Expert – What size bass rig for a small to medium size church?
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